Showing posts with label Social media. Show all posts
Showing posts with label Social media. Show all posts

Tuesday 21 September 2021

So you are a professional journalist and you personally don't like the social media platform, Twitter? Read on.......


IMAGE: The Wheeler Centre


University of Melbourne academic, author, writer, Tim Dunlop writing at Patreon, 19 September 2021:






The audience-journalism treadmill


 This post is out from behind the paywall for a few days. Feel free to share. If you find your way here via this article, please consider a paid subscription. It will give you access to the full archive and all future work. Thanks. (My Twitter travel hiatus continues.)


The best thing about Leigh Sales writing about abuse on Twitter, I was thinking as the story broke, was that it will likely bring forth a response from Margaret Simons.


Lo and behold.


Simons has a piece in The Age responding to Sales's piece at the ABC.


I want to say something about both, and the debate more generally, about why we keep going over the same old ground and what journalists who hate social media think the endgame might be.


Apologies if you've heard all this before.


The Sales' piece, as far as it goes, is compelling. It addresses a serious issue that needs regular reiteration, and it highlights a failing of social media that users––and owners––of various platforms need to acknowledge, that particularly for women, and maybe particularly for women journalists, such spaces can be sites of unforgivable and unrelenting abuse.


Honestly, read the article and take it to heart. Keep the tab open. We are all diminished by the abuse she documents.


The article is, though, a very partial take on what is a much bigger issue. I say this as a criticism, not just of Sales' piece, but of the way too many journalists continue to wear blinkers when it comes to social media.


We can all acknowledge the problems with Twitter, but if we are ever going to seriously address the underlying issues we need to engage with a few other things, and it is a constant failing of journalists that they don't. This is not to diminish their complaints; in fact, it is take them more seriously than they tend to themselves.


Neither Sales' piece (nor Simons') can be read in isolation from the previous two decades of exchanges between professional journalists and their post-digitisation audience, and one of the most frustrating things about the issue is the way in which various journalists reinvent the wheel every time they get annoyed with Twitter.


As often happens in the media, the controversy du jour is presented as just that, and little regard is given to history or wider context.


Even worse, insufficient attention is paid to matters of power and institutional structure, of the place of the media in society more generally, of the way in which public spaces like Twitter and Facebook are controlled by privately-owned corporations, and of the ongoing relationship between audience and media. Little or no reference is made to the endless pieces that have already picked these issues apart outside journalistic op eds.


We have been having this discussion since at least the turn of the century, since blogs, but to read Sales' piece is to start from scratch.


It is a huge failing, and no wonder nothing changes.


So, it is worth noting that Sales offers no structural analysis, makes no attempt to understand the wider issues in which the abuse she rightly criticises arises. She responds to precisely none of the, by now, extensive body of work that exists on the nature of journalist-audience interaction on social media. It is all reduced to personal anecdotes (powerful ones, I might add) and generalisations, an unfortunate combination.


Can we at least be honest here and recognise the problems she describes are not limited to social media, let alone to Twitter in particular. Racism, sexism, misogyny, all sorts of gendered and class abuse are stock-in-trade for other platforms and, for the mainstream media itself.


In an Australian context, News Ltd in particular has elevated bullying––the almost unchecked exercise of their own power––to a reflex, and Margaret Simons herself, along with any number of others, have been victims of this, and it is more damaging than any 'pile on', so-called, on Twitter.


Can we talk about that?


And don't tell me this isn't relevant to Sales' piece, or that she is making a more specific point. It is part of the same problem.


Let me let you into a secret: part of the reason people take to Twitter in the first place is because the media, its journalists, and editors, and its so-called regulatory bodies, fail to respond to the way in which the media regularly drops the ball, either in terms of accuracy or analysis, or, indeed, in terms of abuse. They create a vacuum into which an audience with access to social media is inevitably drawn.


Journalists will regularly invoke badly formed theories of free speech to defend their own shortcomings, but never extend anything like the same standards to "Twitter". To put it another way, they hold Twitter to a standard they don't apply to their own industry.


.........


Some people are running the line that the Sales' piece is about abuse she has received, not about other sorts of criticism, and that therefore––the logic runs––if you are upset about her piece, then you must have a guilty conscience.


This is disingenuous at best and goes to the heart of the problems we have in discussing these issues.


By which I mean, the line is not that easily drawn. Indeed, the difference between abuse and criticism is one of the matters at stake. Sometimes the line is obvious, other times it isn't.


Over and over, journalists write pieces like this and they respond to the most mindless abuse they receive, generalise that to all of 'Twitter', while ignoring more thoughtful criticism that comes their way. It is a lazy and self-serving approach.


Journalists are completely within their rights to complain about the way people respond to their work, but it would help everyone, especially them, if they acknowledged and engaged with the huge body of work that already exists on these matters. If they responded to the best of the criticism rather than the worst.


Only then are we likely to get off this treadmill.


Yes, Sales makes a valid and concerning case about the abuse directed at, particularly, women journalists. And yes, such abuse is cowardly, demeaning and indicative of broader issues of misogyny in public culture and should never be tolerated.


But now what?


Unless journalists also engage with the legitimate criticism they receive, they run the risk of conflating criticism with abuse, and that is what at risk in Sales' piece and other articles like it.


A double standard develops.


The people Sales blocks on Twitter include well-credentialed journalists who have criticised her, not abused her, and while it is entirely up to her who she does and doesn't block, can we at least acknowledge that lines are, at best, blurred.




Abuse on social media is given disproportionate attention by journalists, but the abuse, sexism, misogyny, and racism that is structurally embedded in the mainstream media is given little attention at all.


Sales is on strong, if anecdotal, ground when she highlights abuse. She is less convincing in some other matters, and it is a shame she didn't offer a more in-depth analysis.


For instance, she writes, 'Let's not duck the common thread here — it is overwhelmingly left-leaning Twitter users who are targeting ABC journalists for abuse.'


Given the way in which the ABC is targeted by News Ltd, the IPA and the Liberal Party (a point Sales notes in passing) I would like to see some data that supports the claim that abuse is 'overwhelming left-leaning'. It may well be true of Sales's experience, but as I say, it would be good to see some evidence that this 'fact' extends beyond that.


The plural of anecdote is not data, as they say. And the use of 'left-leaning' as a descriptor is itself hardly an example of precise labelling.


My own experience is that most abuse is from the right and from the centre (yes, also imprecise terms), not to mention from the mainstream media itself––particularly true in the days of blogs––but I would try not to say this amounted to a common thread, let alone present it as an overwhelming fact of Twitter or any other social media platform.


Let's look at the Simons' article.


Margaret Simons is one of a relatively small number of established journalists who were trained and came to professional maturity in the pre-digital age who have meaningfully adapted to the changes wrought by digitisation and rise of social media. In fact, she is a leader in the field, and has written extensively and wisely on the topic. From the beginning, she has engaged with the new landscape and has tried to make sense of how, not just the industry, but the craft of journalism has changed. (And yes, she is a friend, so I am biased.)


She is simply one of the best journalists out there, with a love of, and dedication to, public interest journalism that shines through everything she does, and that she enhances with her own use of social media, as anyone who followed her Twitter coverage of the lockdown of the Flemington public housing towers in 2020 can attest.


In her hands, Twitter is a powerful tool, and her journalism on the platform has won her plaudits and a dedicated following amongst those other journalists dismiss as the Twitterarti. Her example puts the lie to the idea that the site is nothing more than a sewer.


Beyond all that, she is journalism educator, most recently as the head of the Centre for Advancing Journalism at the University of Melbourne, where she has nurtured some of the best young journalists in the country.


And this is one of the things I keep wondering as journalists continue to bag and rubbish social media: from a purely pedagogical standpoint, what message are they sending to young journalists who will inevitably have to work in this environment?


Maybe a Leigh Sales or a Chris Uhlmann or a Chris Kenny can excuse themselves from such platforms, but it is a privilege not available to most journalists, especially newbies.


Simons' response to Sales is measured, but with steel in it.


She acknowledges the problems with bullying; she concurs with Sales' concerns about accusations of bad faith. 'Nevertheless,' she writes, 'I think she fails to draw a distinction between abuse and legitimate critique.'


She calls Sales bluff on journalists not being thin-skinned, and writes: 'Journalists ARE thin-skinned, sometimes ridiculously so, when they are criticised in public.'


Simons makes the point that simply withdrawing from social media is not good enough, arguing, 'Journalists who do not interact are missing a professional opportunity.'


Many journalists dismiss Twitter as unrepresentative of broader society in order diminish its relevance, and Sales says it is not 'anything remotely representative of the Australian public.'


But as Simons points out, Sales is underestimating the number of people who use Twitter:


Leigh Sales quotes data from the ABC’s Australia Talks survey to assert that only 6 per cent of Australians use Twitter regularly. The University of Canberra figures suggest that is closer to 18 per cent – but these general figures obscure important details.

The Digital News Report data shows Twitter users are particularly news-aware and engaged.

They are more likely to use Twitter mainly for news, whereas Facebook and YouTube users come across news incidentally.

 

Twitter users are more likely than other social media users to follow mainstream media outlets and journalists, and less likely to get their news from social media personalities and “influencers”.

Importantly, at a time when persuading people to pay for news is crucial to the survival of serious journalism, Twitter users are much more likely to be already paying subscriptions.…

By comparison, only 14 per cent of Facebook and YouTube users pay for news, although the user bases are much larger. (Park emphasises that sample sizes are small once cross-tabulated, so the data should be treated as indicative rather than precise.)

In other words, the more serious contributors on Twitter are exactly the kind of people serious media organisations most want to attract.

I would make a further point: the fact that Twitter is not representative of the broader population is a feature not a bug. Used properly, as many have found, it can be an endless source of useful information and, what's more, can offer insights not available elsewhere.


In other words, by virtue of the engaged and learned nature of many participants, Twitter users are often ahead of the game precisely because they are not beholden to the same echo chambers and self-reinforcing problems of journalists who talk only to their own kind.


I know this flies in the face of a lot received 'wisdom', but so be it.


Users on the platform saw the end of Malcolm Turnbull long before the gallery did. They saw the relevance and power of the Gillard misogyny speech while the press gallery was churning out Tweet after article dismissing it as a gimmick.


To say you don't want to deal with the most engaged edge of your readership/viewership is a limiting professional decision.


For most people––for the representative Australian public Sales invokes––politics is completely mediated, known only by the way it is reported. Twitter, on the other hand, is full of people who interact with politics more directly and it therefore offers, as Simons says, a tremendous resource for any journalist who is smart enough to take it seriously on its own terms.


There is another inconsistency here. If Twitter users are as small and irrelevant a section of the population as Sales claims, and if your intention is to make a stand against bullying and abuse, then why is Twitter given so much journalistic attention and the mainstream media itself so little?


There is a glaring double standard here.





Again, this has all been pointed out before.


In the early 2000s, when blogging took off, it was inhabited by engaged amateurs, often with expertise in various areas, and it was noticeable how the tone shifted––from a deliberative space to one of gotchas and, yes, abuse––as more and more mainstream journalists started to use the space.


When I blogged for News Ltd, my comments thread would on occasion fill with abuse and I knew that in all likelihood Andrew Bolt had 'mentioned' me and linked, thus encouraging his carefully cultivated readership to whip over to my joint and tell me what they thought of me. This wasn't an accident: it was a business model, and when I complained to higher ups, no-one was willing to confront Bolt, let alone issue any sort of wider directive about such matters.


Sky News doesn't exist to deliberate on matters of public importance: it is there to cultivate and monetise anger and disaffection and it does so in such a heavy-handed way that YouTube recently suspended Sky's channel on the platform.


Can we talk about that? Can we get a phalanx of journalists who are concerned about standards in public debate to put pen to paper on that?


Journalists who regularly find fault with 'Twitter', rarely call out abuse when it is other journalists doing it, and they use their powerful platforms to intimidate, and in some instances, actually abuse a particular sector of citizens, namely, those on Twitter. They rarely take the time to discriminate, dismissing and criticising 'Twitter' with a broad sweep of their hand.






In the Phil Coorey article the above Tweet links, Coorey says of the Lindy Chamberlain trial:


One can only imagine how even more hideous the whole episode would have been had the internet – including its sewer, Twitter – existed back then.


It's laughable. One of the huge failures of mainstream Australian journalism, and his concern is it might've been worse if Twitter existed.


Great argument. Compelling analysis.


Coorey dismissing Twitter as a sewer and Uhlmann calling people on Twitter sewer rats is itself a form of bullying. By itself, each insult might be a glancing blow, but they reinforce prejudices that poison public discourse. The difference is, Uhlmann and Coorey (and others) are doing it from a position of much more power than any no-image user on Twitter.


Can all mainstream journalist concerned about bullying and abuse on Twitter write a swathe of articles about that?


Until journalists acknowledge this power imbalance, until they openly address the structural problems with their own industry and pay more than lip service to the failings of their profession, they are never going be taken as sincere contributors to this important debate.


And round and round we will go.


I honestly don't expect Sales to pay any attention to this piece, but that's why I was glad Margaret Simons wrote a response. Maybe Sales will be less willing to dismiss the criticism Simons offers, and take to heart, not just the article itself, but the way Simons conducts herself on social media and how she deploys it in her journalism more generally. 


Regardless, the issue goes beyond individual behaviours and rests on structural matters to do with the incentives––algorithmic and human––built into the business models of both social and mainstream media. If journalists genuinely want to address abuse in the public sphere, they could do worse than enlist the support of their most engaged readership and work with them towards a common solution rather than simply dismiss that readership as the problem.


Friday 7 May 2021

Are social media 'influencers' nothing more than an assorted collection of advertisers and direct marketers out for what they can get?


Echo NetDaily, 27 April 2021:


..What is an influencer? It seems that we say the word, but most people over 35 don’t really have a clue what it means in the context of social media and brand marketing. And those under 35, the target group, are generally so used to their existence and intent that the lines between branded content and real comment are totally blurred. If TV and print have been declared dead, then so is advertising in its current format. Social media platforms have become the host of mass engagement, and so capitalism has crept in as ‘influencing’. A clever and direct way for brands to market directly to consumers without the usual controls and regulations that govern traditional advertising. While they are still under the same rules, there has been no stoush to date between a high-profile influencer and the Australian Association of National Advertisers (AANA).


An influencer is defined as someone who has the power to affect the purchasing decisions of others because of an authority, knowledge, position, or relationship with their audience. They follow a distinct niche where they actively engage to garner a following that will depend on the size of their topic of the niche. Individuals are not just marketing tools but rather social relationship assets that brands collaborate with to achieve marketing objectives. In short, they’re advertisers…...


Over 3.4 billion people use social media. This translates as 45 per cent of the world’s population. That’s a platform advertisers want. Social media are perceived as being individually curated by the user, and we access other individually curated profiles. From a marketing standpoint it’s pure gold. It’s person-to-person direct marketing. Except you choose to follow and consume the content of your chosen influencer/advertiser. In the old days we used to mute the ads on the telly; now we go to social media and subscribe and watch and like.


The problem with influencers is that the lines are blurred. Everyone knew advertising was fake. Actors playing the part of grumpy mums sick of wiping a bench, or some girl thrilled with the freedom her tampons gave her. We knew the script was written, the scenes were shot in a studio or on location, and we were expected to be tricked into believing the narrative as real. Influencers aren’t actors; they’re real people. They don’t broadcast from networks; they share from their personal accounts in their kitchen. It’s self-shot content to promote brands – that can become very confusing re authenticity. Clearly it’s authenticity they are harvesting to push the sell. They still have to be clear that it’s an ad, so it’s different from their usual posts, but very often the message is camouflaged and slips through as regular content.


So without the regulators breathing down your neck, how much duty of care do influencers take when deciding to take on a product to promote? While I am sure there are those who are highly ethical, there are just so many influencers and it is clear that there are those who don’t do the due diligence on what they push to their followers.


Blindboy is an Irish satirist and podcaster who duped reality stars and influencers into agreeing to promote a fake diet drink containing cyanide to their Instagram followers. In his 2019 BBC documentary Blindboy Undestroys The World he offers three influencers a fake diet drink brand deal. They were all told the product contained the ingredient hydrogen cyanide but they couldn’t try it as the product wasn’t ready yet. Blindboy was very transparent in presenting the product to see if they’d sell a product to their fans that would kill them. They all agreed to promote the product without trying it first. So I guess the answer is ‘Yes’. They were prepared to promote a drink that could kill. Not everyone does their due diligence. And as advertising now seeks to market to us using authenticity and our sense of what’s ‘real’ as cover, then we the consumers need full disclosure.


For a start we can rename influencers to advertisers. That at least would be authentic. Because it would be true.


But I guess no-one wants to watch a show about a bunch of advertisers in Byron Bay.


Netflix first promoted "Byron Baes" as a 'docusoap' about influencers & hot Instagrammers - now it is calling it a 'reality show'.


In my opinion, what this US-owned corporation is about to produce is an exploitative reworking of a tired old tv format, which will leave more than a few of the show's Byron Bay-based cast with their reputations in tatters.


Wednesday 10 February 2021

Truth telling matter to everyone - journalists, commentators, tweeters and most especially readers - and every misstep by anyone lowers trust

 

In February 2021 journalist Tom Cowrie wrote an article titled Living for the weekend: infected hotel quarantine worker’s busy itinerary which was published in The Age on Thursday 4 February.


It discussed in great detail the weekend travel of a man who had left his place of work for a three-day break after showing a negative result to a workplace COVID-19 test and had gone about his daily life on days off.


He was doing nothing wrong or unlawful in those three days. However he reportedly became a person of interest because sometime after he returned to work on the Tuesday he began to feel unwell and tested positive for COVID-19 on the Wednesday.


I did not see the alleged responses to this particular article in The Age as I barely registered the piece at the time.


However, it seems that The Age Editor Gay Alcorn and Tom Cowie were very upset by readers’ responses.


Normally I would be most sympathetic to editors and journalists caught up in a sustained negative reaction. Especailly one which allegedly carried death threats.


However, something doesn’t quite compute and the two articles set out below rather explain why.


The first short two paragraph article states that the journalist was taking a short break and implies that the editor is leaving Twitter for good.


Alice Coster writing in the Herald Sun on 6 February 2021 at Page 19:


Age editor GAY ALCORN and reporter TOM COWIE have been badly mauled on Twitter for detailing the travels of the innocent 26-year-old hotel quarantine worker who tested positive for the mutant strain of the virus that could have shut down the city.


Mauled as in a shark attack. Trolls called Alcorn and Cowie “racists and bigots” bent on “going after the working class”. Cowie’s Twitter page says he’s “taking a break” from Twitter and Alcorn says she’s “baffled” and “reluctantly, I’m out of here”.


The reality is that The Age editor’s Twitter account remained active as of 2:27pm on 8 February 2021 and only the journalist has taken a break from his account.




The second longer article implies that The Age editor is removing the newspaper’s Twitter account. 


This was Nick Tabakoff writing in The Australian online on 8 February 2021:


Death threats’: Age editor snaps


Who would have thought a story about a worker visiting a kebab store and Kmart could cause such dramas?


The Age editor Gay Alcorn has stormed off Twitter after she revealed to Diary the paper received “death threats” over its much-debated feature about a Melbourne COVID-19 quarantine worker’s weekend moves.


The story traced every after-hours footstep of the COVID-positive quarantine hotel worker through Spencer Street institution Kebab Kingz (even publishing its “4.5 star” reviews on Google), Kmart, Bunnings and other locations.


But after Alcorn tweeted out the story on Thursday, along with a tongue-in-cheek message about the worker’s “busy” social schedule, Twitter erupted into furious criticism and in many cases, abuse.


Some of the milder tweets accused The Age of both “snobbery” towards the worker, and of blaming him for the outbreak. One that we can print came from ABC News Breakfast host Michael Rowland, who asked: “What are you trying to get at with this story?”. Meanwhile, author and former Age columnist Marieke Hardy sarcastically tweeted: “Fantastic. Great move. Well done Gay.”


After other much less printable messages, Alcorn — in two late-night tweets the same day — finally had enough. She dramatically announced her break-up with Twitter: “(I) am out of here.”


Speaking to Diary on Sunday, Alcorn said her Twitter exit was not an over-reaction, but a response to the fact that the author of the controversial story, Tom Cowie, had received death threats.


People don’t have to like an article,” she tells us. “They can say it was awful or lacked nuance or could have been done better. But the frenzied and increasingly enraged Twitter reaction was totally disproportionate, ending with vile private messages threatening violence against a reporter, threats we take seriously.”


Alcorn says she had tried since becoming The Age’s editor last year to embrace Twitter, and adopted a philosophy that “we must engage with our audiences and think deeply” about criticism.


But in the past few years, Twitter has become so abusive and furious it is all but impossible to have those conversations. The usual response that: ‘It’s only a few people, most Twitter users are great’, no longer feels true.


People have told me that they wanted to respond to the fury but were too nervous to do so for fear of being abused themselves.”


Alcorn is now turning to “ways to speak with our readers and subscribers” that don’t involve Twitter.


They won’t always be comfortable conversations, but hopefully they won’t end with death threats,” she says.


As of 4:51pm on Monday 8 February – four days after the reaction to Cowrie’s article began – the newspaper's Twitter account was still active.



Quite frankly, given the misstatements of fact in the latter two articles and the tenor of the original story it is hard to call The Age editor’s decision to promote the original article in the manner she did on Twitter. Neither were done in the best of taste as the man involved had done nothing to deserve ridicule.


As for the Herald Sun and The Australian – I have to wonder if before they went to print with this story the newspapers even checked whether these alleged death threats and “vile private messages threatening violence” were reported to the police.


A verified complaint made to police would give readers some confidence that parts of these two articles were indeed truthful.