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Displayed by Club Troppo in its regular Missing Links feature.
This blog is open to any who wish to comment on Australian society, the state of the environment or political shenanigans at Federal, State and Local Government level.
I found a rotary hoe out in one of the machine dumps that that old farms seem to accumulate. It was covered with rust, crud and years of sediment. The basic structure looked sound enough, so I pulled it out and brought it into the house yard then hosed it off for closer inspection.
When I had taken the hoe arm out and removed the bearings, to my surprise the chain drive worked and looked in good condition, the gear box did not look to bad either. The bearing would need replacing since they had considerable wobble in them. I started to think that may be I could get this hoe working again.
I called an engineering place for their advice; they will be out next week. I also started an internet search for parts.
Then it struck me the hoe was a Howard Rotovator and I could not help comparing the hoe to the ex prime minister. Both are old, carrying the crud and rust of many years and both have lost their bearings.
This started me thinking what sort of farm equipment the current batch of politicians would b like.
Peter Garrett sprung to mind, he is defiantly a fence strainer, spare lean and under pressure.
Brendan Nelson's a star picket, extremely useful but mainly overlooked, place every where as a temporary support and bashed around a lot.
Malcolm Turnbull caused me some problems because as hard as I tied the best I could come up with was a ride on mower. Too much of a silvertail to be a true farm machine.
Kevin Rudd is obviously a laser level, sharp and to the point could miss the bigger picture?
If you have other examples I would be keen to hear them.
The Senate Standing Committee on Finance and Public Administration budget estimates hearing on Monday 26 May 2008 is throwing up some strange instances.
Apparently the desire to stop senators accessing inappropriate material on the internet, also known as research censorship, had resulted in a well-known gay newspaper being blocked from view.
It took Senator Nettles' staff a good week to get permission for, wait for it, "temporary access to the site".
Senator Nettles was also blocked when researching the ramifications of recently announced NSW Government policy on the agricultural production of industrial quality hemp. The site she was attempting to access was considered in the category of "illegal drugs".
It seems that the Senate IT filtering program is being supplied by Websense.
This is what Websense, with its head office in California and an office in North Sydney, has to say about itself.
Websense provides a unique combination of Web, content, and user intelligence to stop threats at their source, and accurately control the "who, what, where, and how" of network security.
The Senate appears to have opted for a filtering program which has the following features:
Websense Client Policy Manager (CPM) provides a comprehensive endpoint security solution for desktops, laptops, and servers that proactively protects organizations against known and unknown endpoint security threats. CPM prevents the installation and execution of unauthorized applications and enforces application use policies with its comprehensive database of categorized applications, which is updated daily. CPM is an easy-to-implement, low risk, and highly effective alternative to behavior-based Host Intrusion Prevention Systems (HIPS). The comprehensive coverage of both “whitelist” (good) and “blacklist” (bad) applications allows for granular, dynamic, and highly flexible application policies. This provides a critical layer of application awareness that complements desktop antivirus and personal firewalls while stopping today's fast-moving and blended security threats.
Websense Client Policy Manager benefits:
Addresses weaknesses in existing antivirus, anti-spyware, personal firewall, and patch management processes to render today’s attacks harmless.
Provides application awareness and usage policy enforcement on the endpoint for blocking malicious software while ensuring compliance and productivity.
Prevents malicious applications from changing registry settings and tracks suspicious registry activities.
Protects remote and mobile users operating outside of the network or without standard security updates or patches.
Includes protection from the threats and compliance risks around web access and URL content for remote and mobile users.
Works with Network Access Control (NAC) solutions to enforce policy on devices trying to enter the network, denying access to non-compliant endpoints.
Via integrations, enables network-level protection from inbound threats and creates dynamic and application-aware firewalling.
Provides multiple levels of control to prevent the launch or mitigate the propagation of security attacks.
What all this apparently means is that the Senate has blocked senators' PCs from seeing websites on a blacklist based on broad categories of 'bad' types (inclusion decided by Websense) and, that any use of a senator's PC can be tracked right down to the last millisecond of any search or email sent/received.
Although it is still rather strange that this supposed protection against security threats just happens to block the pet hates of Family First's only elected representative and self-appointed moral guardian of Australia, Senator Fielding.
A quick Google shows that Websense has a history of inappropriately blocking sites from Amnesty International, through to the Red Cross, Air America, service blogs and individual bloggers who make political comment. Last year it was blocking Yahoo mail.
As the problems with Websense seem to continue up to date, here is a website advising on how to bypass this filter.
Perhaps senators should consider using this information if the President of the Senate doesn't come to his senses, or alternatively switching to IE7 which Websense is said not to currently filter.
As it is unlikely that mere voters are going to get a straight answer from either Harry Evans or the Rudd Government on how much this gigantic invasion of privacy is costing or why it is even necessary, perhaps it's time to ask the source about blacklists, why it blocks certain content, why it takes so long to change instructions and costs associated with its security/filtering programs. Here is a Websense email contact.
Annoy the company as much as it is obviously annoying some senators.
"As members of the Creative Stream of the Australia 2020 Summit, we wish to express our dismay at the police raid on Bill Henson's recent Sydney exhibition, the allegations that he is a child pornographer, and the subsequent reports that he and others may be charged with obscenity.
The potential prosecution of one of our most respected artists is no way to build a Creative Australia, and does untold damage to our cultural reputation. The public debate prompted by the Henson exhibition is welcome and important. We need to discuss the ethics of art and the issues that it raises. That is one of the things art is for: it is valuable because it gives rise to such debate and difference, because it raises difficult, sometimes unanswerable, questions about who we are, as individuals and as members of society. However, this on-going discussion, which is crucial to the healthy functioning of our democracy, cannot take place in a court of law.
We invite the Prime Minister, Mr Rudd, and the NSW Premier, Mr Iemma, to rethink their public comments about Mr Henson's work. We understand that they were made in the context of deep community concern about the sexual exploitation of children. We understand and respect also that they have every right to their personal opinions. However, as political leaders they are influential in forming public opinion, and we believe their words should be well considered. We also call on the Minister for Environment Heritage and the Arts, Mr Garrett, to stand up for artists against a trend of encroaching censorship which has recently resulted in the closure of this and other exhibitions.
We wish to make absolutely clear that none of us endorses, in any way, the abuse of children. Mr Henson's work has nothing to do with child pornography and, according to the judgment of some of the most respected curators and critics in the world, it is certainly art. We ask for the following points to be fairly considered:
1. Mr Henson is a highly distinguished artist. His work is held in all major Australian collections including the Art Gallery of NSW, Art Gallery of SA, Art Gallery of WA, National Gallery of Victoria and the National Gallery of Australia. Among international collections, his work is held in the Solomon R Guggenheim Museum, New York; the Victoria and Albert Museum, London; San Francisco Museum of Modern Art; the Los Angeles County Museum of Art; the Denver Art Museum; the Houston Museum of Fine Art; 21C Museum, Louisville; the Montreal Museum of Fine Art; Bibliothèque Nationale in Paris; the DG Bank Collection in Frankfurt and the Sammlung Volpinum and the Museum Moderner Kunst, Vienna. Major retrospectives of Mr Henson's work at the Art Galleries of NSW and Victoria attracted more than 115,000 people, and produced not one complaint of obscenity. His work has also been studied widely in schools for many years.
2. Mr Henson has been photographing young models for more than 15 years. Until now, there has been no suggestion by any of his subjects or their families of any abusive practices. On the contrary, his models have strongly defended his practice and the feeling of safety generated in his process, and have expressed pride in his work. We suggest that the media sensationalism and the criminalisation of laying charges against Mr Henson, his gallery and the parents of the young people depicted in his work, would be far more traumatic for the young people concerned than anything Mr Henson has done.
3. The work itself is not pornographic, even though it includes depictions of naked human beings. It is more justly seen in a tradition of the nude in art that stretches back to the ancient Greeks, and which includes painters such as Caravaggio and Michelangelo. Many of Henson's controversial images are not in fact sexual at all. Others depict the sexuality of young people, but in ways that are fundamentally different from how naked bodies are depicted in pornography. The intention of the art is not to titillate or to gratify perverse sexual desires, but rather to make the viewer consider the fragility, beauty, mystery and inviolabilty of the human body. In contrast, the defining essence of pornography is that it endorses, condones or encourages abusive sexual practice. We respectfully suggest that Henson's work, even when it is disturbing, does nothing of the sort. I would personally argue that, in its respect for the autonomy of its subjects, the work is a counter-argument to the exploitation and commodification of young people in both commercial media and in pornographic images. Many of us have children of our own. The sexual abuse and exploitation of children fills us all with abhorrence. But it is equally damaging to deny the obvious fact that adolescents are sexual beings. This very denial contributes to abusive behaviour, because it is part of the denial of the personhood of the young. In my opinion, Mr Henson's work shows the delicacy of the transition from childhood to adulthood, its troubledness and its beauty, in ways which do not violate the essential innocence of his subjects. It can be confronting, but that does not mean that it is pornography. Legal opinion is that if charges were laid against Mr Henson, he would be unlikely to be found guilty. The seizure of the photographs, and the possible prosecution of Mr Henson, the Rosyln Oxley9 Gallery or the parents of Henson's subjects, takes up valuable police and court time that would be much better spent pursuing those who actually do abuse children.
4. Perhaps the most distressing aspect of the trial-by-media to which Mr Henson and his work has been subject over the past few days, is how his art has been diminished and corrupted. The allegations that he is making child pornography have done more to promote his work to possible paedophiles than any art gallery, where the work is seen in its proper, contemplative context. It is notable that the attacks on Mr Henson's work have, almost without exception, come from those who are unfamiliar with the photographs, or who have seen them in mutilated or reduced images on the internet.
If an example is made of Bill Henson, one of Australia's most prominent artists, it is hard to believe that those who have sought to bring these charges will stop with him. Rather, this action will encourage a repressive climate of hysterical condemnation, backed by the threat of prosecution.
We are already seeing troubling signs in the pre-emptive self-censorship of some galleries. This is not the hallmark of an open democracy nor of a decent and civilised society. We should remember that an important index of social freedom, in earlier times or in repressive regimes elsewhere in the world, is how artists and art are treated by the state.
We urge our political leaders to follow the example of Neville Wran, when in 1982 a similar outcry greeted paintings by Juan Davila. At that time, Mr Wran said: "I do not believe that art has anything to do with the vice squad". With Mr Wran, we believe the proper place for debate is outside the courts of law."
Alison Croggon, Writer
Louise Adler, CEO & Publisher-in-Chief, Melbourne University Publishing
Geoffery Atherden, Writer
Stephen Armstrong, Executive Producer, Malthouse Theatre
James Baker, Tax advisor and accountant
Geraldine Barlow, Curator
Larissa Behrendt, Professor of Law, University of Technology Sydney
Cate Blanchett, Actor
Daryl Buckley, Musician
Leticia Cacares, Theatre Director
Karen Casey, Visual Artist
Kate Champion, Choreographer, Artistic Director Force Majeure
Rachel Dixon, New media developer
Phoebe Dunn, Chief Executive Officer, Australian Commercial Galleries Association
Jo Dyer, Executive Producer, Sydney Theatre Company
Kristy Edmunds, Artistic Director, Melbourne International Festival of the Arts
Saul Eslake, Economist
Richard Gill, Artistic Director, Victorian Opera
Peter Goldsworthy, Writer
Michael Gow, Playwright
Marieke Hardy, Writer and broadcaster
Sam Haren, Artistic Director, The Border Project
Frank Howarth
Cathy Hunt, Creative consultant
Nicholas Jose, Writer
Andrew Kay, Producer
Ana Kokkinos, Film maker
Sandra Levy
Matthew Lutton, Theatre director
Nick Marchand, Artistic Director, Griffin Theatre
Sue Maslin, Producer, Film Art Doco Pty Ltd
Elizabeth Ann Macgregor, Director, Museum of Contemporary Art
Callum Morton, Visual Artist
Rosemary Myers, Artistic Director, Windmill Performing Arts
Rachel Healy, Director Performing Arts, Sydney Opera House
Liza Lim, Composer
Jan Minchin, Director, Tolarno Galleries
Helen O'Neil, Executive producer
Charles Parkinson, Artistic Director, Tasmanian Theatre Company
David Pledger, Theatre director
Marion Potts, Theatre Director
Katrina Sedgwick, Festival Director, Adelaide Film Festival
Additional signatories:
The following support the appeal contained in this letter without necessarily endorsing the detailed argument:
John Coetzee, Novelist
Ramona Koval, Writer and broadcaster
Bloggers who may have posted Henson images as part of their participation in the public debate on this issue should be aware that NSW Police have issued thinly veiled threats relating to such postings.
Author | ConcernedScientist |
Date/Time | 22 May 2008 2:04:19pm |
Subject | >Re: What would you ask Kevin Rudd? |
Hi! My name is Boy. I'm a male bi-coloured tabby cat. Ever since I discovered that Malcolm Turnbull's dogs were allowed to blog, I have been pestering Clarencegirl to allow me a small space on North Coast Voices.
A false flag musing: I have noticed one particular voice on Facebook which is Pollyanna-positive on the subject of the Port of Yamba becoming a designated cruise ship destination. What this gentleman doesn’t disclose is that, as a principal of Middle Star Pty Ltd, he could be thought to have a potential pecuniary interest due to the fact that this corporation (which has had an office in Grafton since 2012) provides consultancy services and tourism business development services.
A religion & local government musing: On 11 October 2017 Clarence Valley Council has the Church of Jesus Christ Development Fund Inc in Sutherland Local Court No. 6 for a small claims hearing. It would appear that there may be a little issue in rendering unto Caesar. On 19 September 2017 an ordained minister of a religion (which was named by the Royal Commission into Institutional Responses to Child Sexual Abuse in relation to 40 instances of historical child sexual abuse on the NSW North Coast) read the Opening Prayer at Council’s ordinary monthly meeting. Earlier in the year an ordained minister (from a church network alleged to have supported an overseas orphanage closed because of child abuse claims in 2013) read the Opening Prayer and an ordained minister (belonging to yet another church network accused of ignoring child sexual abuse in the US and racism in South Africa) read the Opening Prayer at yet another ordinary monthly meeting. Nice one councillors - you are covering yourselves with glory!
An investigative musing: Newcastle Herald, 12 August 2017: The state’s corruption watchdog has been asked to investigate the finances of the Awabakal Aboriginal Local Land Council, less than 12 months after the troubled organisation was placed into administration by the state government. The Newcastle Herald understands accounting firm PKF Lawler made the decision to refer the land council to the Independent Commission Against Corruption after discovering a number of irregularities during an audit of its financial statements. The results of the audit were recently presented to a meeting of Awabakal members. Administrator Terry Lawler did not respond when contacted by the Herald and a PKF Lawler spokesperson said it was unable to comment on the matter. Given the intricate web of company relationships that existed with at least one former board member it is not outside the realms of possibility that, if ICAC accepts this referral, then United Land Councils Limited (registered New Zealand) and United First Peoples Syndications Pty Ltd(registered Australia) might be interviewed. North Coast Voices readers will remember that on 15 August 2015 representatives of these two companied gave evidence before NSW Legislative Council General Purpose Standing Committee No. 6 INQUIRY INTO CROWN LAND. This evidence included advocating for a Yamba mega port.
A Nationals musing: Word around the traps is that NSW Nats MP for Clarence Chris Gulaptis has been talking up the notion of cruise ships visiting the Clarence River estuary. Fair dinkum! That man can be guaranteed to run with any bad idea put to him. I'm sure one or more cruise ships moored in the main navigation channel on a regular basis for one, two or three days is something other regular river users will really welcome. *pause for appreciation of irony* The draft of the smallest of the smaller cruise vessels is 3 metres and it would only stay safely afloat in that channel. Even the Yamba-Iluka ferry has been known to get momentarily stuck in silt/sand from time to time in Yamba Bay and even a very small cruise ship wouldn't be able to safely enter and exit Iluka Bay. You can bet your bottom dollar operators of cruise lines would soon be calling for dredging at the approach to the river mouth - and you know how well that goes down with the local residents.
A local councils musing: Which Northern Rivers council is on a low-key NSW Office of Local Government watch list courtesy of feet dragging by a past general manager?
A serial pest musing: I'm sure the Clarence Valley was thrilled to find that a well-known fantasist is active once again in the wee small hours of the morning treading a well-worn path of accusations involving police, local business owners and others.
An investigative musing: Which NSW North Coast council is batting to have the longest running code of conduct complaint investigation on record?
A fun fact musing: An estimated 24,000 whales migrated along the NSW coastline in 2016 according to the NSW National Parks and Wildlife Service and the migration period is getting longer.
A which bank? musing: Despite a net profit last year of $9,227 million the Commonwealth Bank still insists on paying below Centrelink deeming rates interest on money held in Pensioner Security Accounts. One local wag says he’s waiting for the first bill from the bank charging him for the privilege of keeping his pension dollars at that bank.
A Daily Examiner musing: Just when you thought this newspaper could sink no lower under News Corp management, it continues to give column space to Andrew Bolt.
A thought to ponder musing: In case of bushfire or flood - do you have an emergency evacuation plan for the family pet?
An adoption musing: Every week on the NSW North Coast a number of cats and dogs find themselves without a home. If you want to do your bit and give one bundle of joy a new family, contact Happy Paws on 0419 404 766 or your local council pound.